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IMAGINEE :: Artist statement, Commission information and News... I was born in Brooklyn NY 1958, grew up on LI and presently live Upstate with my husband of 30 years John. The art of drawing with pencil has been a major part of my life for over 40 years. I started out drawing from life, as the years passed my drawings became more detailed and took longer to finish. Today most all of my work takes anywhere from 20-80 hours so I work primarily from reference photos. I'm self taught and strive for realism in each piece using only graphite pencils. Details are key to realism so patience is significant, working a small area to near finish before moving on is a personal technique of mine. Portraiture is one favorite due to the vast features also capturing a unique personality is always a rewarding challenge. Drawing inanimate objects has become another favorite, textures such as metal and glass are extremely interesting and fun to draw. My artwork has been used in advertisement, books, has been featured on many internet sites, Ovation TV, The Japan show "Unbelievable" and in a local art gallery. Commissions Information
For over a decade people from across the USA and all over the world have commissioned me to draw loved ones, friends, animals, cars, etc. If you would like to have a drawing done, email me. To discuss details over the phone please include your phone number and I will call you! I also license out some of my drawings, if you are interested let me know.
*NEWS*
10-17-09
6-15-09
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11-28-08:
8-11-08:
10-11-07:
8-15-07:
I use reference photos for most all of my drawings, I usually use more then one to have a better study of the subject. I have contacted the owners of the references on my "Art For Sale" page, and have come to an agreement with each person...many were free stock photos. I thank all the photographers who's photos I have used as reference.
A question that has been asked of me many times: I draw not only what I see but what I know! For example, from years of doing portrait work I know the anatomy of a face, I also know for realism you should never skip over any individual details. Details such as that perfect balance of light and shadow to define the shape of ones face, unique flickers of light in each eye, hair texture, (including eyelashes and eyebrows) and even pores in the skin. Often times when drawing extreme details I will not look at the whole and will turn the reference and drawing upside-down and work on a tiny section. This technique forces me to focus more intently on those details. It's so relaxing and so natural for me to draw in such a blind state. leave me a comment in my guestbook, I'd love to read or hear your feedback... thanks for stopping in. ~Linda
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